I can divide a year up in
so many ways. I can do it seasonally, but here in Colorado, there
really aren't seasons like there are in other places. Sometimes the
spring feels like winter and sometimes there are warm days in January
when the sun feels near and the air is almost alive. But the seasons,
at least in theory come at least four times a year. I like February
here. In February the light and length of day changes drastically
from the beginning to the end of the month.
Likewise, I can divide up
the year by my Umbrella Factory Magazine
schedule. We publish quarterly, and so in a way, the magazine's
annual schedule is really an extension of the seasons. I know that I
feel very differently in the spring than the other seasons and I am
wistful in the fall. These feelings influence what I choose for the
magazine, and they influence what I write.
I
could divide the year up by month. I don't. I don't divide the year
up weekly either, although it would make sense if I consider how much
I love small easily attainable tasks.
I'm
up late at night. I'm also up in the early morning—at least what I
consider early mornings. I work during the days. Sometimes I become
so engrossed in what I'm doing I don't really know that time is
passing more than the I see the light change.
But
when I consider how much I can get done in a year, it is the
milestones that allow me to gauge what I'm doing.
Over
the last few years I have binged on poetry in the early months of the
year. I read a ton of poetry and I try to write as much as I read,
which happens daily. Nearing the time that the March issue of
Umbrella Factory Magazine arrives,
I try to finish up my poetry project. I suppose I use the magazine as
a deadline. I do the same thing from March until September. I do my
best to write what I consider a manuscript length group of short
stories. Once I get that done, I tie up all loose ends with my work
so I can write a novel in the fall and late months. I do this because
of two very specific times of my life as a writer.
I
went to Vancouver, BC in November of 1999. In a period of about two
days, I lived six years. The two days that followed that I bled on
the page and wrote what I considered a novel. The following year I
spent two months writing a second novel. So, even to this day, this
year, I do my best to write a novel in the fall if only to be true to
myself or because I feel like I should.
But
it wouldn't matter what I did in the fall, the point is, I've worked
all year to do this. I make a list of all the stuff I want to do: the
poems, the stories, the novel, add weekly blogposts, magazine
publications and then I start to work. Once I finish one project, I'm
delighted to put it in the file and move to the next. I feel a sense
of purpose and that's not a bad thing to feel in this detached vapid
world we can so easily fall victim to.
Milestones
are whatever you choose them to be. It could be a word count. It
could be a publication, it could be a feeling which is harder to pin
down and define. What a milestones is, especially as a writer, is a
tangible product. It is something from the ether that has made it to
the page and becomes the buildings of the next thing.
I
think the tackling of any creative project becomes much easier when
it broken down into small easily attainable parts. Putting these
small parts together and finishing something is good for the self.
Sometimes
milestones are only seen in retrospect. So, take inventory, what have
you done this year, what were the biggest accomplishments, what
happened and how will you remember you working year?
Next time: Making an
endgame.
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